Yesterday we sent out our second issue of the new Make: Newsletter. It contains news of goings on at Maker Media, several original columns (including the second installment of my Maker's Dictionary column), and special Shed and magazine deals for newsletter subscribers only. Next month, we're even going to launch a mini-projects column.

You can subscribe (free) to the Make: Newsletter here.

Mark Frauenfelder and Dan Woods got sent this letter about the latest issue of MAKE, Volume 20. We got the sender's permission to post it here:

Mark and Dan,

This is Jim Kelly, the freelance tech writer in Atlanta. Hope you guys are doing well.

Just wanted to write and tell you how impressed and inspired I am with issue 20 of MAKE magazine. The interview (and foreword) with Adam Savage was extremely fun to read. As a father of a 2.5 year old, I too am anxious to encourage my son to explore, take apart, design, and enjoy the creative process.

Issue 20 was directed at kids, and I think you hit the bullseye, with force behind it. I hope this issue is one of your bestselling ones, and I for one am encouraging parents I know to pick up a copy. I'm also purchasing a few extra copies for some teachers I know.

My son just got done watching me configure my new CNC machine to mill out some fun designs on wood; his eyes could not have opened any wider. I wish all kids could have access to this level of technology and machinery, but unfortunately, our school systems seem to be cutting shop class and art projects and focusing time and money on standardized test-taking skills... how unfortunate.

To bring this all home, I guess what I'm trying to say is that there is such a demand for material/content that encourages our youth that a void has been created and cannot be filled fast enough. MAKE is in a unique spot to develop something that goes a little beyond the Maker Shed and the quarterly magazine. Maybe it's a subscription-based activity website, with monthly special projects broken down into categories such as "Do It Yourself" (no parents required), "Dad and Me" (or "Mom and Me" - projects with the parents), and more. Maybe it's a special magazine (like your Halloween special issue) that focuses on even more kid-friendly content. Or maybe a mixture of projects and inspirational interviews (Dean Kamen comes to mind) in a book format.

I'll wrap this up by saying that I, Jim Kelly, hate the three month wait between issues of MAKE... I read every issue over and over again. I'm starved for this type of content. And I'm an adult - imagine what those kids who have this creative streak inside them must feel? They're in need of something... not sure what... and maybe you guys can figure out what to offer them. Issue 20 could easily be just the tip of the iceberg.

Take care,

Jim Kelly

Thanks for your thoughts and kind words, Jim. Reaching the educational market, be it home-schooling parents or teachers in grade school and college, is an increasing focus of ours. We see the new Make: Science Room as part of that effort. We also have the Make: Education social network to reach out to educators and and to create a place where they can network with each other. We've also been working on a dynamic new project-based program of making and mentoring designed to raise the next generation of makers. We're developing this with some very innovative, high-profile partners and are very excited about the prospects. Stay tuned -- we'll be making an announcement about this in the next few months and looking for some kids to participate in a pilot program.

We'd also like to point out that there is something to tide maker parents, kids, and educators over between issues of the magazine: this website, Make: Online! Over the past year, we've been adding much more original content, regular columns, weekly projects, guest authors, and special programs. And then there are our regular Weekend Project podcasts, and special videos, like Collin Cunningham's MAKE Presents series, and Marc de Vinck's how-to and kit build videos. There's a lot going on here, so we hope you're getting your daily dose of MAKE from us. If there's anything else you'd like to see us do here to satisfy your MAKE fix, please let us know. We're always looking for ways to expand and improve the site.

From the pages of MAKE:

Want to know how to build a hydrogen rocket? How about a laser light show in a lunchbox? Or a simple remote-controlled videocam car? Or maybe you want to go old-school and build a wooden mini sailboat or toy car launcher? All this and tons more, plus revealing photos of Adam Savage's maker childhood, can all be found in MAKE, Volume 20, "For Kids of All Ages." Get your individual copy in the Maker Shed, or subscribe now.

In July, 1969, a ham radio operator named Larry Baysinger, from Louisville, KY, used a 20-year old radio from an army tank and a homemade folded dipole antenna array to listen to the Apollo 11 astronauts on the moon. This page is an archive with the original newspaper piece, photos, PDFs of a couple of radio hobby mags and books of the time, and a sort of where are they now update. MP3 of Baysinger's recordings of the audio are also there. Fascinating stuff.

Lunar Eavesdropping in Louisville, Kentucky

There are lots of custom knife-makers out there, and plenty that specialize in exotic or fantasy knives, but there is only one I know of who has gone so far as to invent a fictional world, complete with geography, mythology, and history, as a context for his work.

Virgil England installed and photographed this life-size dragon skeleton in Chugach National Forest in Alaska in 1990. In his own words:

The part of the Dragon that is exposed is about 18 feet long. The wing is 15 feet high. The skeleton is carved whale bone and forged mild steel with reindeer rawhide stretched and stitched over the bones. I did it to display a 59 1/2 inch two handed sword called "The Veil of Tears". After the ten hour photo session It went to a three day showing in San Francisco then to the buyers.

Virgil's handmade knives are highly sought after among collectors, and you can view more of his edged work at his personal website. The photos of his "Chugach Draegon" that appear with this post are being published online here for the first time. Click on each to see it at full resolution. [Thanks, Virgil!]

Don't forget, we're now publishing a monthly Make: Newsletter. The November edition will be emailed out this coming week. The newsletter covers news and happenings around Maker Media, what's going on here at Make: Online, and contains original material, such as my new "Maker's Dictionary" column, a growing glossary of perennial tech terms and cutting-edge DIY, science, and tech-related jargon and slang.

You can sign up for the newsletter here.
Here to see last month's edition.

William Kamkwamba, is a senior at the African Leadership Academy, a pan-African high school in Johannesburg, South Africa. A 2007 and 2009 TEDGlobal Fellow, Kamkwamba has been profiled on the front page of the Wall Street Journal and his inventions have been displayed at Chicago's Museum of Science and Industry. He's often invited to tell his story at such venues as the World Economic Forum in Africa, CES, Aspen Ideas Festival, Maker Faire Africa and the African Economic Forum.

During the evening, William was introduced by Amy Smith, and spoke with his coauthor Bryan Mealor, an American journalist covering Africa. Together, they told stories of life in Malawi and William's experiences making and fighting to learn in the midst of a devastating famine.

After the break, there is more video from the evening.

MAKE columnist and Boing Boing super-blogger, Cory Doctorow, has just released his latest novel, called Makers(!) I just got my copy and tucked into it. So far, so awesome. Cory's books always crackle with such amazing ideas, technological and cultural hacks, that seem just over the horizon, or already in some sketchy warehouse or nerd's basement, just on the other side of town. Makers is no exception.

Cory says, of his latest effort:

Today is the launch of my new novel, Makers, a book about people who hack hardware, business-models, and living arrangements to discover ways of staying alive and happy even when the economy is falling down the toilet. Weirdly, I wrote it years before the current econopocalypse, as a parable about the amazing blossoming of creativity and energy that I saw in Silicon Valley after the dotcom crash, after all the money dried up.

As with all my previous novels, the whole book is available as a free, Creative Commons download, under a NonCommercial-ShareAlike license that allows you to remix it to your heart's content and share the book and your mixes noncommercially. And as with my last two books, I've created a unique donations program that connects generous people with schools, universities, libraries, shelters, prisons and other cash-strapped institutions.

Publisher's Weekly writes:

In this tour de force, Doctorow (Little Brother) uses the contradictions of two overused SF themes--the decline and fall of America and the boundless optimism of open source/hacker culture--to draw one of the most brilliant reimaginings of the near future since cyberpunk wore out its mirror shades. Perry Gibbons and Lester Banks, typical brilliant geeks in a garage, are trash-hackers who find inspiration in the growing pile of technical junk. Attracting the attention of suits and smart reporter Suzanne Church, the duo soon get involved with cheap and easy 3D printing, a cure for obesity and crowd-sourced theme parks. The result is bitingly realistic and miraculously avoids cliché or predictability. While dates and details occasionally contradict one another, Doctorow's combination of business strategy, brilliant product ideas and laugh-out-loud moments of insight will keep readers powering through this quick-moving tale.

Congrats, Cory!

Here's the book's website.

Here's a channel NY1 report on the recent Pop!Tech conference in Camden, ME. The piece profiles three MAKE contributors, Reuben Margolin, Zach Debord, and Mike Gould. Reuben has shown his work and spoken at Maker Faire, Zach Debord's BEAMbots have been featured in MAKE (and on the cover of The Best of MAKE), and Mike Gould's Laser Lunchbox project is in the forthcoming issue, Volume 20, of MAKE. Great job, fellas!

Science Inspires Visionary Pop!Tech Artists

Halloween is so two days from now. Which might as well be last week on the internet. I'm moving on to Xmas. From Berlin artist Oliver Fabel. [via Neatorama]

This fascinating piece, from This American Life (animated by Chris Ware), tells the story of an elementary school where a couple of kids made a TV camera out of cardboard and tempera paint. Soon, the cardboard camera craze went viral and it seemed like every kid was either a camera operator, an anchor, or some other faux TV production person. Then things went positively post-modern.

Chris Ware animation of This American Life story

These "musical towers" are featured in the short film 901: After 45 Years of Working by Eames Demetrios. 901 documents the dismantling of the office of famous U.S. designers Charles and Ray Eames in 1988 following Ray's death. The Eames office was a kind of maker fantasy-land, with finished and unfinished projects scattered about, meticulously organized tools and supplies, and wonderful little gewgaws in every nook and cranny.

The first few minutes of the film feature a delightful bubbling xylophone soundtrack that is eventually revealed to be coming from these prototype toys designed by the Eameses themselves, and installed in their office for their own amusement.

The towers are wooden boxes six inches square and about 15' tall, fronted with acrylic, and having sides slotted to accept metal xylophone keys which fit loosely enough to allow free vibration and easy rearrangement. The slots for the keys are angled toward one another, slightly, so that the surfaces of the keys present a series of alternately-sloped platforms for a small hard plastic ball which, when dropped from the top of the tower, will plunk its way slowly down to the bottom, playing a little tune as it goes. The balls are injected using a manual pneumatic piston which shoots them up a pipe to the top of the tower.

There does not seem to be any video of the towers in operation available online, but 901: After 45 Years of Working is available on the first disc of The Films of Charles and Ray Eames, which also includes final and rough draft versions of the classic Powers of Ten. Highly recommended.

I'm going to invent a time machine so I can go back and persuade my parents to name me Jonathan Brilliant, which for now am this guy what made this impressive installation simply called "The Berlin Piece." [via Dude Craft]

"Spike" is a cartoonist (caution: "F-word" on the link) who says she's mastered the art of living well on an artist's income and wants to share what she's learned by writing a book, called Poorcraft: A Comic Book Guide to Frugal Urban and Suburban Living. She's using an innovative website, called Kickstarter, to try and raise money to fund the production of the book. Kickstarter allows you to post your project and solicit backers for it. Spike has a whole bunch of different pledge levels. She's looking to get $6,000 pledged. She already has $3,894 (and counting). A $5 pledge will get you a PDF of the book when it comes out, $10 gets you a signed hard copy.

The "tools" section of media artist Karl Klomp's website documents an impressive amount of bent, hacked and homebrew hardware for video manipulation. Devices such as the Failter (seen above)series go through a number of incarnations while Karl experiments with different hardware and uncovers its glitch-ability. The retro-simple feel of the enclosures give give it all a nicely 'scientific' almost medical feel. Be sure to check out his device gallery/ project list for more examples. Thanks to Becky for pointing this one out!

To "shoot," an anvil, for the record, is to blast it several hundred feet into the air using a charge of black powder. This delightful man, Gay Wilkinson, is apparently the world's champion anvil-shooter. The fireworks start at 1:30. [via Boing Boing]

If you just like us a lot (we love you too!) and want to send us some links o' love, you can post this badge on your site:

We have the HTML code, some other badge sizes, and links to other assets, such as our magazine covers, all on the link below.

We really appreciate all of the support we get from you all. It means a lot to us. Group hug!

Maker Badges

Jim Stogdill sent this to the O'Reilly Radar mailing list:

I caught this on 60 Minutes the other night and it struck me as the ultimate MAKE challenge. Guy designs his own RF therapy and machine to try to battle his leukemia. He didn't win, but looks like the tech holds real promise and is being pursued as a real and viable cancer treatment using RF to stimulate tumor-seeking gold nano particles.

[Thanks, Jim!]

The Kanzius Machine

The UK-based electronic instrument maker known simply as the Sonic Manipulator demonstrates some of his unusual audio devices for the fine people of Earth -

The Claude-a-tron - sort of a throttle-synth that seems surprisingly playable, with "pitch & volume, with oscillator modulation, bass & percussion control"

… and the Rap Rod, a push/pull controlled audio scratching device, which appears to use a handheld cassette playhead with tape samples (though more likely an advance alien technology?)

Check out the Sonic Manipulator's site for his (its?) full collection of instrument demos. [via Create Digital Music]

The Engadget Show takes a trip out to Madison, WI to visit the workbench of console-modder extraordinaire (and Make contributor) Mr. Ben Heck. Can't wait to see the finished Paxton pinball!

Our favorite photojournalist of alt.culture, Scott Beale, was at the Alternative Press Expo in SF today and took these awesome pictures. More on the link below. The event continues tomorrow. If you're into self/indie/small press publishing, and are in the Bay Area, you'll definitely want to stop by.

Photos: APE 2009 (Alternative Press Expo)

Josh Klein developed a machine that trains crows to trade coins for peanuts. Literally, for peanuts. So you fill this thing with peanuts and set it out, say, in a public park, and the crows will scour the ground for loose change, carry it to the machine, and drop it in a slot in exchange for food. The project, dubbed "CrowBox," made a big splash when he unveiled it back in 2007. Now he's made the complete plans for the CrowBox freely available online so you can roll your own. And there's no reason you couldn't train your fly-monkeys-fly to gather other crow-portable objects. Twenty-dollar bills? Keys? iPods? Human eyes? The possibilities are endless. Set one up at the beach! Train seagulls to trade whole wallets for pre-shucked oysters!

UT Austin student/librarian/artist Keef calls this project "Professor Teeth." It incorporates a dental mannequin with the jaws fixed up to chatter like that thing from Hellraiser that chatters? I think it's called "The Chatterer?" Also it tells fortunes and stuff. There's video here. [Thanks, Keef!]

Make: Halloween Contest 2009

Microchip Technology Inc. and MAKE have teamed up to present to you the Make: Halloween Contest 2009! Show us your embedded microcontroller Halloween projects and you could be chosen as a winner.

Ars Technica has an awesome piece detailing 100 years worth of "Big Content's" reaction to emerging media technologies (in its own words). Here's John Philip Sousa, writing in Appleton's Magazine, on "The Menace of Mechanical Music" (aka the gramophone):

"From the days when the mathematical and mechanical were paramount in music, the struggle has been bitter and incessant for the sway of the emotional and the soulful," he wrote. "And now in this the twentieth century come these talking and playing machines and offer again to reduce the expression of music to a mathematical system of megaphones, wheels, cogs, disks, cylinders, and all manner of revolving things which are as like real art as the marble statue of Eve is like her beautiful living breathing daughters."

Also beware the copy machine, the VCR, cassette recorders, MP3, the DVR... for that way lies the ruin of the marketplace. Or not.

100 years of Big Content fearing technology--in its own words [via Tim O'Reilly's Twitter feed]

I've already sent out an email to my local maker community, via the HacDC and Dorkbot DC e-lists, and to the internal Maker Media list. But I thought it'd be fun to ask you all the question, have you email me your answers (and links to pictures!). I'll assemble it all into a column to run next week. I'll choose my favorite submission and send them a Maker's Notebook.

So, send me an email and tell me what you wear and carry that you'd consider part of your "tool set"? Send me links to pictures of your gear or links to products you use.

This Thursday, Oct 15, Metrix Create: Space will open its doors in Seattle (at 623A Broadway East). It's hackerspace meets an indie coffee house. They'll have tools and equipment for building projects, 3D fabbing machines, classes on various types of high-tech makery, coffee and snacks. They even have a vending machine that'll dispense Sun Chips, M&Ms, Clif Bars, and Arduinos, breadboards, jumper wires, etc. How cool.

More:
All of our hackerspace coverage on Make: Online

I love discovering a blog like Paul Elkins'. He's an obsessive designer and tinkerer who's made all sorts of bikes, trikes, boats, trailers, tree houses, stoves out of mail boxes, and even mobile homes for birds (see above). He writes of his life-long passion for designing and building:

I've been doing this idea hatching thing since I was a kid. I received my first serious sketch pad on Christmas morning when I was 8 years old. Each day I'd think of something weird and sketch it out, and every year, another book would appear under the tree. I have at least 26 of these sketch books now, filled with hours and hours of figuring and redrawing, making lists of pros and cons on an idea. Many hours were spent drawing cartoons and the human figure. These sketches led to paintings and other forms of art, but that's for another future blog. My real passion was and is design, with subject matter varying from bicycles, trikes, cars, boats helicopters, submarines, home design or whatever happens to cross my mind. Each idea has to be original, or an elaboration of something I've seen or read about. At 16 I built my first recumbent bicycle which was never photographed or completed. Several other recumbents were made as time went by. It wasn't until I was divorced and started to enter my 40's that most of what you'll see here really started to materialize. Some of these ideas have miraculously worked out great and I've spent many hours enjoying them, while others have not. For the ones that did, I have pride in knowing that my mind and hands had a part in their creation and existence. For the ones that didn't, I chalk them up as a lesson.

High mileage trikes and more

"Self portrait in a state of fragmentation," is not, in fact, the title of this amazing work by American everyday-object sculptor Tom Friedman. Formally, it's "Untitled." Anyone care to guess what it recently sold for?

Anne Troake is a choreographer and filmmaker from Newfoundland. Her film Pretty Big Dig is the best of the many "dancing heavy machinery" videos I've seen on YouTube.

I really love this illustration by Randis Albion (Andre Weiss) of brainy kids summoning a tectonic entity made of toys. It's the details that make Albion's work: The nervous look of the ravens outside the window, the fact that the wizard-child is in a wheelchair. His website is NSFW by some folks' standards, I suppose, but well worth the click.

Are you one of the nine out of ten adults who purportedly believes you can tell when someone is watching you from behind? If so, does it occur to you that this is a kind of supernatural belief? Dr. Bruce Hood, Director of the Bristol Cognitive Development Centre at the University of Bristol and the latest subject of our ongoing series of interviews with notable Makers, has some fascinating theories about how such "routine" supernatural beliefs come about as natural consequences of the normal psychology of child development. He also talks briefly about how his own childhood enthusiasm for the paranormal eventually came full circle in his mature scientific interest in the psychology of paranormal belief. Fascinating stuff.