Occasionally, I get asked by people wanting to get started in Japanese woodworking what tools they should buy first (or ask for for Christman). While I’m sure there will be some disagreement, this is where I would and did start.
-Len Cullum

Chisels – bench (Oire-nomi) About $70 each

Four or five bench chisels in the 1/8″ – 1″ range is a great starting point. They don’t have to be the best you can find, but shouldn’t be the cheapest either. A nice middle-ground brand will be your best bet. They won’t frustrate you by not holding an edge as is common with cheaper chisels, and you won’t be (quite as) heartbroken if you drop and chip one that cost a couple of hundred dollars.

Chisels – paring (Tsuki-nomi) About $70

For finer work it’s often nice to have a longer handled push chisel on hand. Go for the same sizes and quality as the bench chisels.

Plane (Hira-Kanna) $66

The same holds true as with the chisels – aim for middle ground, maybe $100 – $140 for your first one. Although I have a couple worth several hundred dollars, the one I bought ten years ago for about $80 continues to be a favorite. Look for something in the 50-65mm width range.
Also not a bad idea to pick up a dai conditioning plane (Dai-noshi-kanna), $99, while you’re at it. It is used to properly flatten the bottom of the plane so that it takes nice shavings and leaves a silky surface. I know, a plane to plane a plane. Sounds crazy, but a little recursive nuttiness will make your kanna using experience a better one. While you’re at it, also pick up a conditioning plane conditioning plane (dai-noshi-noshi-kanna-kanna)… Just kidding.

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Sharpening Stones (Toishi) $35

The choices are vast as is the price range. Natural to ceramic, synthetic to diamond, the options are endless. Read around and see what seems to make sense to you. My first stones were made by King in 800, 1000, 1200 and 2000 grit (if memory serves) and they worked fine for many years. Natural stones are nice and many people swear by them, but they tend to be spendy and sometimes inconsistent. I think for starters, man-made stones will be most forgiving and allow you to hone (HA!) skills, and better understand the process before choosing a more expensive stone.
Unpictured: Honing guides. Mixed feelings here. I relied on them when I started, and that was nice so that I could spend more time concentrating on woodworking and less on sharpening. Knowing what I do now and understanding that sharpening is the very bedrock of woodworking, I wish I had weaned myself away earlier. I would say they are OK in the beginning, but don’t allow it to become a crutch. Practice freehand sharpening! A lot.

 

 

Saws (Nokogiri) $45-$60

Two or three replaceable blade saws will get you by for a long time. From top to bottom:
Ryoba – Two blades, one saw. For timber/carpentry size work, go for sizes up around 270 – 300mm, for furniture size work, 180 – 240mm.
Dozuki – For super fine cuts. If you’ve never used one before, you will be amazed at how fine. 240mm is good.
Kataha Yokobiki – General purpose saw. 240mm is a good here as well.

 

Hammer (Genno) $20-$33

For driving chisels and adjusting planes (although a wooden mallet is sometimes preferred for the latter). As you go deeper into this craft, your hammer collection will inexplicably grow. I’ve lost count of how many I have now. I think I might have become a hammer nerd. You should see the the one I just got! It has a solid copper head! Anyway, I have found a 375g hammer to be my go-to favorite, but for heavier joinery work I like 570g. Shape is optional but I find the longer head shape to have more general usefulness than the barrel shape.

 

Marking Knife (Kogatana) About $25

Part of making tight, accurate joints is to use a sharp knife to mark your lines instead of a pencil. Most marking knifes are beveled on only one side and come in right and left bevel versions. To start, I would go with either a right bevel one (if you are right handed), or a spear tipped, two-bevel one. More sharpening practice, too!

 

Ink Line (Sumitsubo) $26

For traditional layout work, nothing beats an ink line and bamboo pen (sumi-sahsi). I use both traditional wooden ones and modern plastic ones. They are both great. Don’t forget the ink.

 

Square (Sashigane) $44

The notoriously difficult to photograph Japanese square is another important element to traditional woodworking. It’s thin flexible blade is the perfect compliment to the sumitsubo and sumisashi. Since they come in inch, millimeter and shaku (traditional Japanese measurement system) be sure to select the one right for you.

 

Marking gauge (Suji-keshiki) About $17

Uses a blade for marking lines parallel to an edge. Really nice to have. Pictured here is actually a slitting gauge (Wari-keshiki), but it is basically the same, only larger.

 

Books:
Since I started out in pre-internet days, I relied a lot on books. These are a few that I found helpful along the way.

Shoji: How to Design Build and Install Japanese Screens  by Jay Van Arsdale. About $15

Great book on shoji. If you are lucky enough to be in the Bay Area, Jay teaches classes in Japanese woodworking as well.

The Complete Japanese Joinery by Hideo Sato and Yasua Nakahara. About $20

Focusing primarily on carpentry and house building with great overview of how to cut specific joints and where to use them.

Japanese Woodworking Tools: Their tradition Spirit and Use by Toshio Odate. $26

Toshio was a shoji maker in Japan and he explains tools and tells stories of his apprenticeship. This was a really important book for me.

Making Shoji by Toshio Odate. $15

The title says it all.

The Art of Japanese Joinery  by Kiyosi Seike. $17

Mostly a picture book of pretty joints and not of much help in cutting them. Nonetheless, it is on the shelf of nearly every woodworker (Japanese style or otherwise) I know.

 

2 Responses to Japanese Woodworking: A Gift Guide for Beginners

  1. Awesome guide, thanks for posting. I would love to get into joinery. Need to accrue a few things first… :)

  2. I was fortunate to take a Basic Woodworking course with Toshio Odate in NYC at Pratt one year. He embodied the Japanese approach to craft and I have often thought of him when I create and build my works. I am glad to see your collection of books contains several of his works and they continue to be used by current craftsmen today.

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Japanese Woodworking: A Gift Guide for Beginners